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D82 靜候啟航

D82 靜候啟航

等待一聲號令,就能劃破湖面,再次啟程 With just a single signal, the stillness of the lake will be broken — and the journey will begin again.

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D81 消失的身影

D81 消失的身影

晨光斜斜地穿過城市的縫隙落在街角,一個人走進那道光裡。我站在街邊,就等著這一刻的出現。 Morning light slanted through the gaps of the city, falling softly on the street corner. A lone figure stepped into that beam of light. I stood at the curb, waiting for that very moment to...

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D80 花樣年華

D80 花樣年華

仿效王家衛導演極擅長的拍攝技巧,運用狹窄空間中的鏡子、牆壁與框架創造距離與情感張力。拍攝這個照片時,心裡想的是張曼玉與梁朝偉的電影場景。 Inspired by director Wong Kar-wai’s signature cinematic techniques, this photo uses mirrors, walls, and framing within a confined space to create emotional tension and a sense of distance. While...

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D79 瞬間

D79 瞬間

「攝影師所面對的總是在不斷地消逝的事物。」—— 亨利·卡蒂埃-布列松(Henri Cartier-Bresson 我只有三秒鐘的時間捕捉這一刻,然後跑者便會消失在視線中。 “Photographers deal in things which are continually vanishing." — Henri Cartier-Bresson I had only three seconds to capture this moment before the runner disappeared from...

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D78 光影之門

D78 光影之門

黑白棋局,光影交錯,明暗對比,半隱半現。 Like a game of black and white chess, light and shadow intersect, contrasts of brightness and darkness unfold—half hidden, half revealed.

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D77 暮色之間

D77 暮色之間

落日餘暉灑在地平線上,天空由淡藍漸變為橘紅,彷彿在天地間寫下了一封晚安的詩。 The afterglow of the setting sun spills across the horizon, the sky fading from pale blue to a deep orange -- as if writing a goodnight poem across the canvas of heaven and...

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波士頓初春之晨

D75 初春之晨

這些斷木或許不再支撐著什麼,但它們依舊在時間之流中留下了自己的存在,就如攝影,捕捉瞬間,也成為了歷史的一部分。 These broken wooden posts may no longer support anything, but they still leave their presence in the flow of time. Just like photography, capturing a fleeting moment, they too become a part of...

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D74 哪一個更真實?

D74 哪一個更真實?

路過波士頓火車站旁的一面牆,燈光打在牆壁旁邊的樹幹,生成了樹影,實景與陰影交錯,真真實實,難以分辨。是哪一個更加真實呢? 其實兩個都不真實,又兩個都一樣真實。從科學的角度來看,我們一般理解的「真實物體」,其實是一組物理屬性與感知的結合。樹幹是透過人類的大腦對感官輸入的處理結果。所以我們透過感官看得到,摸得著,聞得到,聽得到的都覺得是真實。但是倒影也是一樣確實存在的,它的存在是光線投射的結果,雖然它沒有獨立的實體,我們摸不著。...

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