D169 放飛

stairs

沒有了焦點,卻讓一切皆可成為焦點。刻意抽離主體,畫面便不再有任何中心。線條、光影、空間與留白,皆平等地浮現。這時,觀看者才真正參與了觀看本身,自主地去解讀,不為攝影師左右。

By deliberately removing the subject, the frame is no longer bound to any center. Lines, light and shadow, space and emptiness all emerge with equal presence. It is in this moment that the viewer truly engages in the act of seeing—actively interpreting, rather than passively receiving.

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