D87 華燈初上
「在對的光線下,在對的時刻,每件事物都是非凡的。」—— 亞倫·羅斯(Aaron Rose) “In the right light, at the right time, everything is extraordinary.” — Aaron Rose
My photography stories
橫亙在擋風玻璃上的細長裂痕,如絲如劍。美不一定是要完整無瑕,動人的畫面有時就藏在那些微微破碎、點點殘缺裡面。 The slender crack stretching across the windshield is as delicate as silk, yet as sharp as a blade. Beauty doesn’t always lie in perfection—sometimes, the most moving images are hidden within the slightly broken, the subtly flawed.
那天午後,我坐在博物館角落的一張紅椅上,陽光從高窗斜斜落下。光像是有意識地挑選了那一張桌椅,甚至選中了我這一刻的存在。沒有聲音,只有空氣裡一層薄薄的光流與影的靜默對話。 攝影讓我學會停下來,不再只是經過,而是「與之共處」。 That afternoon, I sat in a red chair tucked in the corner of the museum as sunlight slanted down through a tall window. It felt as though the light had consciously chosen that particular table and chair—and even … Read More
仿效王家衛導演極擅長的拍攝技巧,運用狹窄空間中的鏡子、牆壁與框架創造距離與情感張力。拍攝這個照片時,心裡想的是張曼玉與梁朝偉的電影場景。 Inspired by director Wong Kar-wai’s signature cinematic techniques, this photo uses mirrors, walls, and framing within a confined space to create emotional tension and a sense of distance. While capturing this image, I had scenes from Maggie Cheung and … Read More